The late, great banda singer Jenni Rivera once said “haters are just confused fans.” So it makes sense that although Jenni’s eldest daughter Chiquis seems to have an equal ratio of the latter to gung-ho cheerleaders, this in no way has deterred her from pursuing her own career in music.
And why should it? At 29, Chiquis has already endured more pain and tragedythan most people could conceive of (including losing her mother in a plane crash on Dec. 9, 2012) and has lived to tell the tale.
Despite being booed quite loudly on social media upon the release of her first single back in early 2014 (“Paloma Blanca” — more on that later), Chiquis dusted herself off and tried again, but not without remastering a few things, literally and figuratively.
Bomba Estéreo is ready for the big time. Nearly 10 years after the Colombian electro-tropical outfit started making noise in the Bogotá club scene (and then popped up on music lists galore), singer Liliana Saumet and multi-instrumentalist Simon Mejía are now veterans of the global festival circuit. So it’s only right that for the band’s fourth album, Amanecer (due June 2), they would take things up a notch — and we’re not just talking bpm.
Indie and self-contained from the get-go, Bomba was recently signed to a major, Sony Music Latin, which paired them up with a new producer, Ricky Reed, of the genre-mashing California group Wallpaper, whose credits also include JasonDerulo‘s “Wiggle” and Pitbull‘s “Fireball.”
The result is an album that is still very much Bomba to the core, but it also makes room for new influences. Recorded between the band’s headquarters in Bogotá and Reed’s home studio in Los Angeles, Amanecer should get them more airplay and even more gigs on the world stage. Take the lead single “Fiesta,” a party anthem dripping with bass and champeta that’s as much of an homage to the carnivals of their homeland as they’ve ever recorded, but it’s also a nod to Kwaito, an African genre of music fusing hip-hop, house, reggae, and traditional African rhythms.
I recently joined the extended Billboard family as a contributor and went down to Miami to cover the 2015 Billboard Latin Music Conference and Awards (April 27 – 30). I’ve greatly enjoyed collaborating with the inimitable Leila Cobo, who, quite simply, knows more about Latin music than anyone on the planet. She’s a pro, and definitely someone I look up to.
You’ll be seeing my byline on billboard.com/latin quite a bit this year, as I join Leila and the Billboard team in building the ultimate digital destination for all things Latin music.
Click below to see Billboard’s beautiful spread with exclusive portraits from the conference.
Billboard Latin Music Conference Exclusive Portraits
And click here to view all of our great online coverage from this year’s conference & awards, including exclusive interviews with Carlos Santana, Daddy Yankee, Natalia Jimenez, Nicky Jam, Luis Fonsi, Wisin, Carlos Vives, Ivy Queen, and many more.
See Also: Highlights From the 2015 Billboard Latin Music Conference & Awards
I was honored to contribute to Marie Claire‘s Global Beauty Issue (May 2015), spotlighting three Latinas whom I greatly admire: mogul (and all-around idol) Salma Hayek, supermodel Joan Smalls, and actress Genesis Rodriguez.
Follow the link to read the full feature —> Marie Claire
Mention the name Daddy Yankee to anyone in the Latin music industry and they’ll automatically think of the words legend, icon, or leader. Credited with making reggaeton a global phenomenon in 2004 with his hit “Gasolina,” the Puerto Rican superstar has more top 10s on the Latin Rhythm Airplay chart than any other artist (30) and more No. 1s on Top Latin Albums than any other urban act (6). It’s no wonder his peers — both established and emerging acts — constantly cite him as a source of inspiration.
When he’s not recording hits in the studio, Yankee is known for bringing the heat to any performance. The 2015 Billboard Latin Music Awards — which aired on Telemundo on April 30 from the BankUnited Center in Miami — were no exception, as Yankee took the stage twice. First, to perform his hot new single “Sígueme y Te Sigo” as a worldwide television premiere, and then with Carlos Vives and Wisin for “Nota de Amor,” an irresistible marriage of Colombian vallenato and reggaeton that’s as much about love as it is about dancing.
It was the most talked-about moment of the night at the 2015 Billboard Latin Music Awards — Jennifer Lopez onstage, singing a medley of Selena Quintanilla’s most beloved hits, including “Como la Flor,” “Bidi Bidi Bom Bom,” “No Me Queda Mas,” and “I Could Fall in Love,” dressed in a pale pink ensemble reminiscent of the late queen of Tejano music. The heartfelt performance came 18 years after Lopez’s indelible portrayal of Selena made her a household name. Backed by the original Los Dinos band — made up of Selena’s brother A.B. Quintanilla, sister Suzette Quintanilla-Arriaga, and widower Chris Perez – JLo delivered an emotional tribute to an icon whose influence is still felt, 20 years after her life was tragically cut short.
After the performance, the Quintanilla family opened up to Billboard about how it felt to be a part of such a special moment, where the idea for the tribute came from, and how they’re keeping Selena’s legacy alive.
When I first met Jenni Rivera’s eldest, Chiquis, she told me her dream was to be on the cover of Latina magazine. It was very special for me to write this one.
Click here to read the cover story.
Amidst all the celebrity-laden ads on Super Bowl Sunday, there was one that stood out: Ecuador’s 30-second spot highlighting the stunning natural beauty of the small Andean country containing a world within itself — the Galapagos Islands, the Pacific Coast, the Andes mountains and the Amazon rainforest — to the familiar tune of a certain Beatles classic.
A three-part tagline anchored the memorable “All You Need is Ecuador” spot: “Like Nowhere Else, All in One Place, So Close.” The first two points are undeniably true (this coming from a proud Ecuadorian), but I’m going to have to talk to the airlines about that third one, because getting there from Los Angeles is never less than a full-day ordeal.
If those few seconds weren’t enough to make you want to make the trip, maybe these interesting tidbits will.
There was a great deal of excitement, understandably so, around Disney’s announcement of a new princess, Elena of Avalor, this week. An olive-skinned, gorgeous babe who looks like she goes to Jasmine’s same hair salon to get blow-outs, Elena was widely celebrated in the media because, well, it’s crazy that there still hasn’t been a Latina royal in the Disney family.
We came close about a year ago with Sofia The First, whom many also assumed was Latina. But it wasn’t long before the backlash started, mostly consisting of “She’s too white!” comments. All of which caused Disney to clarify — or perhaps backpedal — and state that Sofia was “a mixed-heritage princess in a fairy-tale world. Her mother is originally from an enchanted kingdom inspired by Spain (Galdiz) and her birth father hailed from an enchanted kingdom inspired by Scandinavia.”
Disney Junior’s VP Nancy Kanter further clarified: “What’s important to know is that Sofia is a fairytale girl who lives in a fairytale world. All our characters come from fantasy lands that may reflect elements of various cultures and ethnicities but none are meant to specifically represent those real world cultures. The writers have wisely chosen to write stories that include elements that will be familiar and relatable to kids from many different backgrounds including Spain and Latin America.”
Following that uncomfortable PR moment for Disney, Alex Nogales, president of the National Hispanic Media Coalition, had a direct conversation with Kanter in which he apparently pressed, “When are we going to have a real Latina, not a counterfeit?’”
Let’s get one thing straight: Oscar Isaac is not a Latino actor. He is one of the most in-demand actors in Hollywood who happens to be Latino — and this year will forever be known as the one in which he went from indie favorite to that guy you have no excuse to not know.
Isaac kicks off 2015 in style with “A Most Violent Year,” a drama from writer-director J.C. Chandor set in New York City during the nightmarish winter of 1981. Statistically, the title is no joke: there were 1,826 murders and 120,000 robberies that year (a record at the time).
His character, Abel Morales, is an immigrant who escapes his violent past in Colombia and achieves the ever-elusive American Dream through sheer hard work. But with his thriving heating-oil business under attack from competitors who behave like thugs, Abel is torn between staying true to his principles and resorting to violence in order to protect what’s his and eventually build an empire, all while the DA (David Oyelowo) is on his tail.