If you’re a music journalist and you’ve written about R&B dynamo Miguel in 2012, chances are you’ve put the 27-year-old and Prince in the same sentence, as I have. And that’s cool, says Miguel. Just don’t get used to it.
“I’m offended for Prince because I’m such a huge fan of his and you can’t compare anyone to Prince,” says Miguel. “But if I’m associated with any ounce of greatness then that’s a huge compliment – and that’s what I think of when I think of Prince; I think of greatness, I think of timelessness, creativity, longevity, just unapologetic and unwavering sense of self. I can only hope to remind people of greatness.”
There’s no doubt that 2012 was Miguel’s breakout year. True, he had shown promise on his 2010 debut album All I Want Is You, but it was this year’s follow-up, Kaleidoscope Dream, that earned high praise from critics and fans alike, who unanimously seemed to agree that Miguel was part of an exciting crop of artists intent on saving a dying genre. “[Frank Ocean’s] Channel Orange, [Miguel’s] Kaleidoscope Dream, and [The Weeknd’s] Trilogy rescued the art form from the monotony of ‘baby, baby please’ as Ocean, Miguel and Weeknd casually re-created it in their own images,” wrote Rebecca Thomas at MTV.
In many ways, that monotony Thomas writes of began when the self-proclaimed Pied Piper of R&B himself, R. Kelly, committed career suicide circa 2002. The game was just never the same – until now. As music journalist Erik Parker puts it, “Miguel’s music came at a time when there was a wide open lane. He split the difference between Trey Songz’ sex appeal and Frank Ocean’s exotic and left-field style. He’s pushing the boundaries in an artistic way that is not too much in the clouds. He’s stretching R&B but it doesn’t feel forced or too self-aware.”
With five Grammy nominations, including Song of the Year and Best R&B Performance for “Adorn,” and Best Urban Contemporary Vocal Album and a spring tour with Alicia Keys coming up, 2013 is looking even better for Miguel.
Angie Romero 