Latin Grammy winner Sergio George on success, loyalty and the rebirth of Salsa

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Once upon a time, salsa reigned supreme. Great singers from Cuba, Venezuela, Panama, Puerto Rico, Colombia and Dominican Republic introduced this vibrant genre to the world and we collectively moved to the clave, connecting with its universal message. As legendary BMI-affiliated salsa producer Sergio George puts it, “Not only was salsa the dance of dances, but it gave people hope, something to relate to, something to dream of, the possibility of romanticism during the toughest of times, a respite for the poor.” Somewhere along the way, though, the movement lost momentum and was overshadowed by other genres.

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Becky G profile for Rolling Stone’s New Latin Hot List Issue

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FOTO (Fresh Out The Oven)!

Yours truly wrote a profile on 16-year-old Becky G for Rolling Stone‘s new #LatinHotList issue, on stands November 8. I saw something special in her when I first met her two years ago in the RCA offices. She told me about her musical idols growing up (Left Eye, Selena), how her ‘Lita (grandma) taught her Spanish and always reminded her how important it is to honor her Mexican heritage, her plans to build a movement and take over the world, among other things. Somehow it didn’t come across as over-confident; I always believed she’d make it. Ask Dr. Luke what it is that he first noticed about her and he’ll say the same thing: her confidence and charisma. Because if you don’t believe in yourself, who will?

Then I collaborated with her on her blog, “Being Becky G,” for Fusion (ABC/Univision) late last year and that was super fun. It’s great to see how far she’s come in that short amount of time. She’s now CoverGirl’s youngest spokesperson and her #Beaster following on social media just keeps growing. In other words, she’s a marketer’s dream.

The RS cover line says it all and this is only the beginning…read the article here.

Calle 13 & Julian Assange: A love story

You gotta admire how Calle 13 stay true to their hasta la victoria siempre M.O. Their newest act of rebellion? A collabo with WikiLeaks founder Julian Assange, their buddy Tom Morello of Rage Against the Machine and Palestinian musician Kamilya Jubran. Apparently Rene Perez, one half of C13, visited Assange at the Ecuadorian Embassy in London this past summer. Their #JulianAssangeCalle13 campaign has been mounting since then, when they engaged their loyal Twitter followers on various themes and received thousands of responses, which they plan to incorporate into this new song. “We’re going to take their voice, what they’re saying, their idea, and we’re going to manipulate their idea and construct a song about the media…to talk against the bad media but using their voices,” says Perez in the teaser. Watch below:

The full “Multi_Viral” single will be released November 13. As for their next album, C13 has opted not to renew their contract with Sony and will be releasing their next album independently in March 2014. “We’re looking at different platforms,” C13’s Eduardo Cabra told Billboard last week. “Maybe we will give it away for free.”

That’s a cause I can get behind.

Forever Crazy Sexy Cool

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Are you watching Crazy Sexy Cool: The TLC Story on VH1 tonight? I definitely will, even if the trailer kind of undersells it for me. Also, I know this is kind of superficial, but of the cast – Lil Mama as Left Eye, Keke Palmer as Chilli and Drew Sidora as T-Boz – only Lil Mama really looks the part. Slate confirms my suspicions that it won’t be amazing, but says we’ll find ourselves watching TLC videos on YouTube for hours after we watch it. Which is always a good thing.

What can I say? They were my faves back in the day, especially Left Eye. I even wrote a whole piece about it (“To Left Eye, With Love”) for Fusion (ABC/Univision) last year, on the 10th anniversary of her death.

Listen to Chilli & T-Boz, who executive produced the VH1 pic, on NPR earlier this a.m.

#CrazySexyCool 4-eva!!!

Happy birthday to the queen, Celia Cruz!

Google and the Celia Cruz estate have collaborated to honor the Queen of Salsa on what would have been her 88th birthday. Ten years after her passing, she continues to bring so much joy into our lives through her music and the Google Doodle is a symbol of how far-reaching her impact is.

Gloria Estefan (the other queen, in my book) once told me a great anecdote of a time when she played a show with Celia and how, even though her knees were killing her from arthritis, she never once showed it during her performance. She never once complained about it backstage. Instead, she got up onstage and gave the crowd everything she had.

The new iBook, Celia Cruz: The Lady, The Legend, Her Legacy, will be available tomorrow from Sony Music.

Celia, que en paz descanses….y gracias por el regalo de tu musica!

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Three word review: Pearl Jam’s ‘Lightning Bolt’

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Four years is a long time to wait for a new album, so around here, me and J.G. have been cranking PJ all day, err’day, and will continue to do so until their San Diego concert on November 21. That’s Eddie Vedder’s hometown so we’re hoping we get something special.

I could go on and on about it but I’ll leave that to the critics, whom no one reads anymore.

So here are my thoughts in three words:

Concise. Mature. Classic.

Spotlight on BMI songwriter Bonnie McKee

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If you’ve been listening to Top 40 radio for the past few years, then you definitely know Bonnie McKee, even if her face is still relatively new. But that’s all about to change this summer, as the 29-year-old singer-songwriter, whom Rolling Stone named “Best Secret Weapon” in 2011, becomes as ubiquitous as the pop superstars with whom she’s collaborated via her own hit single, “American Girl,” available on iTunes on July 23. With eight No. 1 singles on her songwriting resume, including Katy Perry’s “Teenage Dream” and “California Girls,” Britney Spears’ “Hold It Against Me,” and Taio Cruz’s “Dynamite,” the self-described “pop star in training” is more than equipped to make her own mark in music. Just like the pop icons she grew up listening to in the ‘80s, McKee’s songs have powerhouse vocals, big choruses and bright, colorful imagery that render them irresistible. “Some of my earliest memories are of watching Madonna, Michael Jackson and Cyndi Lauper on MTV,” says McKee over the phone in New York City, where she’s on a press and promo tour. “I loved how the artists of that era were so visual. Seeing what they could do really modeled me as a musician. Every day I ask myself, ‘What would Prince do?’”

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10 Questions With Carlos Vives

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For some, an eight-year hiatus from the music industry can mean total extinction. For BMI songwriter Carlos Vives, it meant exactly the opposite: a rebirth. The 51-year-old Colombian superstar’s formidable comeback in 2013 is a testament to his timeless sound, his growth as a songwriter and his newfound love for life and music.

Flashback to 2004, and Vives was one of Colombia’s hottest musical exports, along with his compatriots (and fellow BMI members) Shakira and Juanes. The work that he and his band, La Provincia, started in 1994 on his breakthrough album of vallenato standards with a modern twist, Clasicos de la Provincia (Classics From the Province), was finally paying off in a big way. He had a GRAMMY under his belt, he could easily sell out arenas across the United States as well as abroad and the sound he created – tropical pop or tropi-pop for short – dominated the airwaves. Life at home was equally great; Vives was happily married with two kids.

But things took a turn that same year. His marriage to Puerto Rican actress, Herlinda Gomez, dissolved and his longtime contract with EMI came up for renewal. When a deal couldn’t be reached, the label let their option expire. According toBillboard, this may have had something to do with the fact that the label was undergoing ownership and management changes around the same time – among other factors. When his management at the time failed to reach a new deal with another record label, Vives retreated from the spotlight in his home country, played the occasional local concert, created children’s music and opened up a nightclub. Happily married to former Miss Colombia Claudia Elena Vasquez, he expanded his family while also writing and producing for other acts. Nearly a decade later, with music industry veteran Walter Kolm as his new manager and Vasquez as his closest advisor, Vives is hotter than ever. Under a new record deal with Sony Music Latin, Vives released his latest album, Corazon Profundo (Deep Heart), in April 2013. The work debuted atop Billboard’s Top Latin Albums chart led by the hit single, “Volvi a Nacer” (Born Again). Add to that his recent stint on the Colombian TV edition of The Voice and a worldwide tour that kicks off this month in Panama, and it’s safe to say Vives is back. BMI chatted with Vives via phone about his big comeback, just weeks before he kicked off his tour.

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Exclusive: behind the scenes with Juanes at his ‘Loud & Unplugged’ tour

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There was only one good reason to trek it from Los Angeles to Bakersfield, CA this past Friday night: I got a backstage VIP pass to the kick-off concert to Juanes’ highly anticipated 2013 “Loud and Unplugged” summer tour.

Without exaggerating, I can say that Juanes and his bandmates – Rafael Sandoval on the sax, Edilberto Lievano on the trombone, Orlando Barreda on the trumpet, Juan Pablo Daza and Fernando Tobon on guitar, Felipe Navia on bass, Felipe Alzate and Richard Bravo on percussion, Waldo Madera on drums, and Emmanuel Briceño on the keyboard – have never sounded tighter.

For one, Juanes has never toured with a full horn section. Then again, if you’ve listened to Juanes’ MTV Unplugged album you know that he has strived for (and undoubtedly reached) a new level of musicianship. El maestro Juan Luis Guerra (who executive produced the Unplugged album) had a little something to do with that.

Whatever you do, don’t miss the chance to check Juanes out when he comes your way (peep the tour dates here).

And if you’ve ever wondered what it’s like to experience a Juanes show from the inside, this should give you an idea …

Check out the photos on Fusion (ABC/Univision), where this story was originally published. 

Highlights of Coachella 2013

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There was no shortage of great music at this year’s Coachella Valley Music and Arts Festival — just ask Janelle Monae, who stole the show as one of the most dynamic performers of the two weekends.

But in between beloved indie bands like The Postal Service, age-less veterans like New Order, the obligatory reunion performance (Wu-Tang Clan), and, of course, the headliners (Blur, Phoenix, and Red Hot Chili Peppers), there were three can’t-miss Latino acts: 3Ball MTY, Café Tacvba, and Rodriguez.

Vastly different in their repertoire, all three were consistent in drawing large and eclectic crowds, which hopefully means that next year, we’ll see more diversity in the line-up and a greater number of Spanish-language acts.

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