The story behind Mariah Carey’s ‘All I Want For Christmas Is You’

Mariah Carey

What would Christmas be like without Mariah Carey? It’s a sad, sad thought. But the crazy thing is Carey’s holiday classic “All I Want For Christmas Is You” almost never happened.

As we celebrate the 20th anniversary of the song, instead of focusing on Carey’s botched performance at the Rockefeller Center tree-lighting ceremony earlier this month, let’s revisit the backstory of perhaps the greatest Christmas tune ever recorded.

First released on November 1, 1994, “All I Want For Christmas Is You” was the lead single off Carey’s fourth album, “Merry Christmas,” now hailed by Billboard as the most successful Christmas album of all time.

In today’s oversaturated market, anyone with half an octave releases a holiday album. But back then, it was considered somewhat corny for a pop star to do so, especially a 24-year-old vocal virtuoso.

Continue reading

Hollywood Reacts to New Era in U.S. – Cuba Relations (exclusive)

Oscar Isaac

News broke on Wednesday, December 17, that the United States plans to restore full diplomatic relations with Cuba and will open an embassy in Havana for the first time in more than 50 years. The historic move came after the release of an American intelligence agent who had been in captivity in a Cuban prison for 20 years, and an American contractor, Alan P. Gross, who had been captive for five. In exchange, the U.S. released three Cuban spies who had been imprisoned in the U.S. since 2001.

Secret talks were held over the last 18 months between Barack Obama and Cuban President Raúl Castro, encouraged by Canada and Pope Francis. Establishing direct contact between leaders of the two countries for the first time in half a century, Obama and Castro reportedly had a phone call on Tuesday to finalize the deal.

Calling the embargo on Cuba a failure, Obama addressed the nation in a televised speech Wednesday morning, stating: “We will end an outdated approach that for decades has failed to advance our interests and instead we will begin to normalize relations between our two countries.”

Continue reading

Roberto Gomez Bolaños Dead: World Mourns the Loss of Beloved Comedian Chespirito

Chespirito

Mexican comedian Roberto Gomez Bolaños has died at age 85. Arguably the most beloved entertainer in the Spanish speaking world, “Chespirito,” as he was affectionately known, died on Friday, November 28, in his home in Cancun, Mexico.

Gómez Bolaños’ health had deteriorated in recent years due to his age and was under medical care at his home in Cancun when he died. The exact cause of death has not been determined.

The prolific comedian was born in Mexico City in 1929 and got his start in the early ’50s working at an advertising agency and later as a writer for radio, television and film.

He broke out in the early ’70s with his own self-titled sketch comedy show on Televisa, through which he introduced some of his most famous characters, such as “Chapulín Colorado,” a superhero who dressed as a red grasshopper, and “El Chavo del Ocho,” an orphan living inside a barrel of a low-income neighborhood filled with colorful neighbors.

Continue reading

My tribute to Elizabeth Peña: the most underrated Latina in Hollywood

Elizabeth Peña

*This original story which I wrote in reaction to Elizabeth Peña’s death for Variety Latino has been generously shared online, so I’m posting it here too.

Elizabeth Peña was a rare breed. The kind of actress that didn’t seek or crave the limelight, but rather focused on “the craft.” You’d have to, in order to enjoy the type of career she had.

Prolific is an understatement. Peña amassed around 100 acting credits, starting with her first role in León Ichaso’s “El Super” in 1979. Fittingly, it was the story of Cuban exiles adjusting to their life in Spanish Harlem. When she died, on October 14, 2014, she had wrapped the first season of “Matador” on Robert Rodriguez’s El Rey Network, and had a couple of projects in development.

You interview enough actors in this business and eventually those two words (“the work,” “the craft,” or any variation thereof), start to sound clichéd, and quite honestly, rehearsed. But in Peña’s case, she never, in her almost 40 years of working in showbiz, got to the point of being overexposed, so all you had to go by was “the work.” Continue reading

Behold: Variety Latino’s ‘Power of Latinos: 20 Most Beloved & Influential Stars’ List

*I’m extremely proud of how Variety Latino’s first curated list came out. I really wanted to do something different than the usual lists and so we commissioned celebrity branding authority Jeetendr Sehdev to conduct this national survey for us. The celebrities really responded to it and shared it on their own Twitter, Facebook pages, which made me so happy. It was a big hit! And hopefully the first of many lists to come…

As part of Hispanic Heritage Month, Variety and Variety Latino have joined forces to launch the “POWER OF LATINOS: 20 MOST INFLUENTIAL STARS LIST, spotlighting the most successful Latino film and TV actors in Hollywood (10 men and 10 women). The special appears in the September 30th issue of print Variety.

But rather than focus solely on their professional accomplishments, we went one step further, and looked at how influential and appealing they are within their own community.

powerlist_collage

 

Continue reading

Latin Grammy winner Sergio George on success, loyalty and the rebirth of Salsa

george_s-770x437

Once upon a time, salsa reigned supreme. Great singers from Cuba, Venezuela, Panama, Puerto Rico, Colombia and Dominican Republic introduced this vibrant genre to the world and we collectively moved to the clave, connecting with its universal message. As legendary BMI-affiliated salsa producer Sergio George puts it, “Not only was salsa the dance of dances, but it gave people hope, something to relate to, something to dream of, the possibility of romanticism during the toughest of times, a respite for the poor.” Somewhere along the way, though, the movement lost momentum and was overshadowed by other genres.

Continue reading

Christy Haubegger profiled by Makers: Women Who Make America

Screen Shot 2013-11-11 at 11.10.47 PM

How did I not know this existed?!

Makers: Women Who Make America is a historic video initiative developed by AOL and PBS. It aims to “be the largest and most dynamic collection of women’s stories ever assembled.” And so far, it’s on the right track.

Some of the extraordinary women profiled include Madeleine Albreight, Christiane Amanpour, Sandra Cisneros, Hillary Rodham Clinton, Ellen DeGeneres, Tavi Gevinson, Oprah, Sheryl Sandberg and tons more.

Among them is Christy Haubegger, Founder of Latina magazine and a personal she-ro. Every day that I worked there from about 2007 to 2011 (a dream come true, for sure) I wanted to make her proud. And that’ll never change, no matter where I go.

What she’s built is incredible — and she’s nowhere near done. As big of a power player as she is in Hollywood (she transitioned from publishing to the agency life in 2005 and joined CAA, where she continues to create opportunities for Latinas), Christy always has time to listen, and for that, I’m eternally grateful. This only reaffirms the importance of mentorship for Latinas in any field.

Take a minute to watch her profile at Makers.com and I promise you’ll walk away newly inspired!

Happy Halloween! From La Llorona to Paranormal Activity, Latinos love a good scare

A still from Paranormal Activity 4.

A still from Paranormal Activity 4.

When I was a little girl, I used to play a darker version of hide and seek with my older cousins in Ecuador. In our little game, whomever was the seeker would role play as La Llorona, and do the trademark wail of the mythical Weeping Woman: “Donde estan mis hijos?” (“Where are my children?”).

It was all innocent fun, but now that I think about it, it’s a creepy concept, and not something I’ll be passing onto my own children one day.

My experience growing up with this mythical figure as part of my consciousness was not uncommon. In homes all across Mexico, the southwestern U.S., certain parts of the Caribbean, and most countries in Latin America, La Llorona is collectively known and feared.

Continue reading

Happy birthday to the queen, Celia Cruz!

Google and the Celia Cruz estate have collaborated to honor the Queen of Salsa on what would have been her 88th birthday. Ten years after her passing, she continues to bring so much joy into our lives through her music and the Google Doodle is a symbol of how far-reaching her impact is.

Gloria Estefan (the other queen, in my book) once told me a great anecdote of a time when she played a show with Celia and how, even though her knees were killing her from arthritis, she never once showed it during her performance. She never once complained about it backstage. Instead, she got up onstage and gave the crowd everything she had.

The new iBook, Celia Cruz: The Lady, The Legend, Her Legacy, will be available tomorrow from Sony Music.

Celia, que en paz descanses….y gracias por el regalo de tu musica!

celia-cruzs-88th-birthday-5720827718795264-hp

RIP Chris Lighty: A conversation about the loss & legacy of a true hip-hop pioneer

chrislighty

A day after Chris Lighty took his own life in his New York apartment, the hip-hop community continues to mourn the loss of a brilliant music executive and a true leader for the culture.

The 44-year-old Bronx native was known for managing the careers of, at one point or another, some of the most important figures in hip-hop (50 Cent, Diddy, Busta Rhymes, LL Cool J, Missy Elliot — even Mariah Carey). As founder and CEO of Violator Management, he was responsible for some of the most groundbreaking deals in music, such as 50 Cent’s now-famous deal with Glaceau (which owns Vitamin Water), valued at over $100 million. He was also the man behind LL Cool J’s Gap commercial in the 90s, the one in which he’s seen wearing FUBU gear — a milestone, for sure.

As Jon Caramanica put it in the New York Times, Lighty was “an executive who distinguished himself by knocking down the often stiff wall that separated hip-hop culture from the mainstream, back when those worlds were far apart and still regarding each other warily.”

At the time of his death, he was still managing, among others, 50 Cent and Busta Rhymes, as well as 17-year-old Diggy Simmons (the son of Run-D.M.C’s Run).

Lighty’s love for hip-hop goes all the way back to his days carrying records for the pioneering New York DJ Red Alert. Soon he’d be road managing the likes of Boogie Down Productions (DJ Scott La Rock, D-Nice, and KRS-One) and the Jungle Brothers. He even rapped on Black Sheep’s first album (back when he went by “Baby Chris”). The legendary Russell Simmons and Lyor Cohen would eventually take notice of Lighty, and scoop him up to work for Rush Management and Def Jam, the most important label in hip-hop history.

Read the rest of this story here and listen in on my conversation with Jayson Rodriguez, Executive Editor of XXL and a friend/fellow VIBE alum, whom I called to discuss the loss and legacy of Chris Lighty.